摘要
环境戏剧是戏剧的新兴演出方式,沉浸体验是环境戏剧的独特性和吸引力所在。厘清环境戏剧沉浸体验的生成和发展机制,对推动戏剧创新具有重要意义。以越剧《新龙门客栈》为例,采用网络评论作为数据来源,运用扎根理论方法,探究环境戏剧沉浸体验的生成机制和意义建构。研究发现,观众沉浸体验历经戏剧表达、观演共创、知行和鸣为核心的“激发与生成、互动与具身、回味与行动”三阶段体验生成和意义建构过程;推动沉浸空间场景营造,以观众体验为中心促进观演共创,从而实现中华优秀传统文化的创新性表达,是推动我国戏剧创新发展的重要经验。
Environmental theatre is an emerging form of theatrical performance,and the immersive experience is what makes environmental theatre unique and attractive.Clarifying the generation and development mechanisms of the immersive experience in environmental theatre is of great significance for promoting innovation in theatre.Taking the Yue Opera“New Dragon Gate Inn”as an example,this article uses online reviews as the data source and applies grounded theory to explore the generation mechanism and meaning construction of the immersive experience in environmental theatre.The study finds that the audience’s immersive experience goes through a three-stage process of experience generation and meaning construction,which includes“stimulation and generation,interaction and embodiment,reminiscence and action,”centered on theatrical expression,audience-actor co-creation,and the unity of knowledge and action.Promoting the creation of immersive spatial scenarios and facilitating audience-actor co-creation centered on the audience experience are important practices for realizing the innovative expression of excellent traditional Chinese culture and for promoting the innovative development of theatre in China.
作者
陈庚
王海宁
CHEN Gen;WANG Hai-ning(National Institute of Cultural Development,Wuhan University,Wuhan 430072,China)
出处
《中南民族大学学报(人文社会科学版)》
北大核心
2025年第5期147-159,187,共14页
Journal of South-Central Minzu University (Humanities and Social Sciences)
基金
国家社会科学基金艺术学重大招标项目“中国式现代化与文化艺术管理体系创新研究”(24ZD17)
武汉大学自主科研项目(人文社会科学)“中央高校基本科研业务费专项资金”。
关键词
环境戏剧
沉浸体验
扎根理论
越剧《新龙门客栈》
environmental theatre
immersive experience
grounded theory
Yue Opera“New Dragon Gate Inn”
作者简介
陈庚,武汉大学教授,主要研究文化产业与文化政策、公共文化服务、文化体制等;王海宁,武汉大学硕士研究生。
