摘要
欧美剧场表演分析的基本方法由符号学与现象学奠定。前者发端于20世纪上半叶先锋主义戏剧兴起之后,旨在关注意义的生成,并随戏剧实践的发展而历经数次演变。90年代左右,符号学方法已无法完全应对日益去符号化的当代戏剧和展演艺术。作为符号学研究方法的补充,现象学为剧场表演分析开辟了新的路径。现象学悬置符号学赖以生存的观念体系,强调第一人称视角体验,关注剧场表演中的物性与感触的流动。二者在与社会文化批判理论相结合之后,阐释力得以释放,从而在兼顾美学的同时更全面地应对作品中的伦理、社会和政治诸问题。
Semiotics and phenomenology play fundamental roles in Euro-American performance research.The former,which began in the early twentieth century after the rise of avant-garde theatre,focuses on the production of meaning and has constantly responded to shifting theatre practices.Around the 1990 s,the semiotic approach became less useful for the analysis of contemporary theatre and performance art that deemphasize or defy signification.As a complement to semiotics,phenomenology was introduced to performance analysis.It suspends the conceptual system on which semiotics is based and highlights the first-person experience,the flow of affect,and thingness in the theatre.Both methodologies take real effect after their integration with critical theories,to address the ethical,social,and political issues in theatre works without overlooking aesthetics.
作者
冯伟
Feng Wei(the School of Foreign Languages and Literature,Shandong University,Jinan 250100,Shandong Province,China)
出处
《文艺理论研究》
CSSCI
北大核心
2022年第3期128-138,共11页
Theoretical Studies in Literature and Art
基金
国家社科基金艺术学重大项目“当代欧美戏剧理论前沿问题研究”[18ZD06]的阶段性成果。
关键词
符号学
现象学
物性
感触
后结构主义
semiotics
phenomenology
thingness
affect
poststructuralism
作者简介
冯伟,戏剧学博士,山东大学外国语学院教授,主要从事跨文化戏剧和欧美戏剧研究。通讯地址:山东省济南市洪家楼5号山东大学外国语学院,250100。电子邮箱:arthurfw@hotmail.com。
