摘要
通过借鉴《保护文学和艺术作品伯尔尼公约》与《美国版权法》的解释方法,可以认为通过直播传输体育赛事画面时,录制与传播在同时进行,从而体育赛事画面被固定,且符合"摄制在一定介质上"的要求。从《著作权法》立法目的来看,在我国法的语境下,采取的独创性标准应当更接近于版权体系标准,而非作者权体系标准,所以体育赛事画面在选择和编排方面具有独创性。适用广播权的前提是存在作品,如果体育赛事画面被认为既不属于电影作品,也不属于其他作品,那么对其进行网络直播不能适用广播权。
By referring to the interpretation method of the Berne Convention and the American Copyright Law,it is submitted that recording and transmission are carried out at the same time through live webcasting of the motion pictures of sports events,which constitutes fixation and satisfies the requirements of“the filming on a certain medium”.From the legislative purpose of the Copyright Law,in the context of Chinese law,the standard of originality should be closer to the standard of the copyright system,instead of the standard of the author’s right system.In this regard,the selection and arrangement of the motion pictures of the sports event satisfy the originality requirement.The premise for the broadcasting right is the existence of a work.If the motion pictures of a sports event are considered not to be cinematographic works or other work,the broadcasting right cannot be applied to the live webcasting of them.
作者
万勇
WAN Yong(Law School,Renmin University of China,Beijing 100872,China)
出处
《现代法学》
CSSCI
北大核心
2018年第5期95-104,共10页
Modern Law Science
基金
上海市教育发展基金会和上海市教育委员会"曙光计划"(13SG15)
中国人民大学科学研究基金(中央高校基本科研业务费专项资金)(17XNA002)
关键词
电影作品
固定
独创性
体育赛事画面
功能主义解释论
cinematographic works
fixation
originality
motion pictures of the sports event
functionalist theory on interpretation
作者简介
万勇(1981),男,湖北洪湖人,中国人民大学法学院教授,博士生导师,法学博士。
