摘要
志怪小说通过“人”与“鬼”“神”“仙”“妖”“精怪”共生一体,主人公在幽冥世界、神仙世界、梦境中的穿越,传达出与凡世截然不同的“相对时间观念”和“小中寓大的空间观念”。元宇宙小说通过沉浸式游戏、元宇宙科技、赛博朋克的描绘,呈现出“身体幻象相融”“全身沉浸式”的“生命时空”观。前者彰显“瞬间即永恒”的审美观,后者呈现“虚拟即现实”的审美观,这种区别来自于后者在艺术技巧、故事情节、审美主体等方面对“生命时空”观演绎的巨大进步。元宇宙的创造与创新,离不开中华优秀传统文化中审美意境的创造,完成对生命意义的追寻,实现自由、幸福、美满生活的愿望。
Zhiguai novels use the symbiosis of"humans","ghosts","gods","fairies","demons"and"spirits"to convey a completely different world from the mortal world like representing"the concept of relative time"and"the concept of space in which the small contains the big".Through immersive games,Metaverse technology,and cyberpunk descriptions,the Metaverse novels present a view of"life time and space"that"integrates body illusions"and"whole body immersion".The former highlights the aesthetic view of"instant being eternity",while the latter presents the aesthetic view of"virtual being reality",which shows the latter's great progress in the interpretation of the view of"life time and space"in terms of artistic skills,story plot and aesthetic subjects.The creation and innovation of the Metaverse is inseparable from the creation of the aesthetic artistic conception in the excellent traditional Chinese culture,to complete the pursuit of the meaning of life,and to realize the desire for freedom,happiness and a happy life.
出处
《中华文化论坛》
北大核心
2023年第4期88-98,190,共12页
Journal of Chinese Culture
关键词
志怪小说
元宇宙
生命时空
美学意蕴
生命意义
Zhiguai Novels
Metaverse
Life Time and Space
Aesthetic Connotations
The Meaning of Life
作者简介
李爽,四川师范大学助理研究员,四川成都610064。
