摘要
20世纪30年代和40年代,亡国灭种的外在险境激发了国人塑造民族共同体的强烈愿望,一个全新的“中华民族”成为抗战时期文艺作品的特意性取向和普遍性表达。抗战歌曲作为救亡文艺的重要形式和典型代表,在信息共享、情感抒怀与社会动员方面具有独特效用。其关于“新战局”“新民众”“新社会”“新国家”和“新世界”的理想叙事,是彼时知识精英谋划中华民族未来何去何从的重要缩影,兼具抵抗外来侵略与构建民族国家的双重旨趣。伴随歌曲在全社会的广泛传播,未来镜像所承载的政治理念也在民众的因应中落地生根,从而强化了全体国人共有前途、同一命运的共同体意识。
In the 1930s and 1940s the Chinese people faced a danger of state and nation wipe-out,which nevertheless aroused in them a strong desire of shaping a community for the Chinese nation,and hence a totally new "Chinese nation" became an intentional orientation and a universal expression for the wartime literary and art works.The Anti-Japanese Invasion War songs were then an important form and a typical representative of rescue-China literature and art,which displayed unique effectiveness in information sharing,emotion expressing and social mobilizing.The ideal narratives regarding "new war situation","new public","new society" and "new country" were the brainchildren of the then intellectual elites who cared about where the Chinese nation should go following the conclusion of the war,possessing the duality of resisting external aggressions and constructing a nation-state.As these songs gained popularity in China,the political concepts carried by the future mirror image took root in the public accordingly,strengthening all Chinese people's sense of community with shared future and fate.
作者
于宏伟
闫丽娟
YU Hongwei;YAN Lijuan
出处
《贵州民族大学学报(哲学社会科学版)》
2024年第6期36-52,共17页
Journal of Guizhou Minzu University:Philosophy and Social Sciences
基金
2023年国家社会科学基金重点项目“抗日战争时期甘宁青报刊的中华民族共同体话语生产与认同建构研究”(23AMZ004)阶段性成果。
关键词
抗战歌曲
中华民族
未来镜像
共同体
理想书写
Anti-Japanese Invasion War song
the Chinese nation
future mirror image
community
ideal writing
作者简介
于宏伟,男,汉族,河北省张家口市人,兰州大学西北少数民族研究中心博士生(甘肃兰州730020);闫丽娟,女,汉族,甘肃省张掖市人,重庆师范大学马克思主义学院特聘教授(重庆401331),兰州大学西北少数民族研究中心二级教授、博士生导师(甘肃兰州730020)。
