摘要
小说是作家以自我经验为基础的特殊言说,这种言说不可避免地受制于言说对象与言说语境,中国当代小说对民国时代的叙述也不例外。由于民国时代自身的多面性与含混性,由于中国当代作家所生活的历史文化空间的不断变易,以民国时期的社会风貌和生活状态为主体内容的小说,随着讲述时代的不同而呈现出各自独有的面貌,从而使艺术世界中的民国时代成为一张不断被重新涂写的羊皮纸。
Fiction is a special kind of discourse, which is based on the personal experience of the writer′s. This type of discourse is inevitably restricted by its object and context. The same was also true of the narration in the era of the Chinese Republic in modern Chinese fiction. Due to the many-sidedness and obscurity of that era and because of the constant change of the historic and cultural context, in which the modern writers lived, the fiction featured by the narration of the social status-quo and life state of that era took distinctive looks along with the differences of the different times, so that the times of the Republic of China became an unceasingly rewritten sheep-leathered paper in the world of art.
出处
《深圳大学学报（人文社会科学版）》
CSSCI
北大核心
2004年第4期84-88,共5页
Journal of Shenzhen University：Humanities & Social Sciences
关键词
中国当代小说
民国时代
叙述
contemporary Chinese fiction
times of the Republic of China
narration
