摘要
王士禛早期学词由李清照入手,创作了十七首《和漱玉词》。李清照词的影响不仅体现在《和漱玉词》中,也体现在《阮亭诗余》和《衍波词》的其他词作中。王士禛以"雕组不失天然"说总结李清照词的语言风格,并在广陵词坛引起共鸣,体现在邹祗谟、彭孙遹、董以宁等人的词论、词评和词作中。艳词是广陵词坛创作的主流,王士禛、邹祗谟等人以陈子龙艳词为典范,阐述了"神韵天然"的词体美学。其中"天然"二字即指向"雕组不失天然"的语言风格。
Wang Shizhen writed He Shuyu Ci by learning Li Qingzhao’s Ci.It is easy to find the literary style of Li Qingzhao in Wang’s Ci,not only in He Shuyu Ci,but also in his Ruanting Shiyu and Yanbo Ci.Wang Shizhen sum marized Li’s literary style with"harmony after carving".His theory was widely accepted by the writers in Yangzhou,especially by Zhou Zhimo,Peng Sunyu and Dong Yi-ning.In addition,the mainstream of Ci in Yangzhou was erotic Ci in Wang and his friends’time.Wang and his friends had interpreted Chen Zilong’s erotic Ci as the literary canon of"charm and harmony"style.The word"harmony"in"charm and harmony"means"harmony after carving".
出处
《古代文学理论研究》
2019年第2期376-394,共19页
Studies of Ancient Chinese Literary Theory
基金
国家社会科学基金重大项目“历代词籍选本叙录、珍稀版本汇刊与文献数据库建设”阶段性成果(项目编号:16ZDA179).
