摘要
深圳市金石艺术博物馆藏石棺床的四块围屏石板曾在深圳博物馆展出,石板上的线刻画像与安阳出土的东魏谢氏冯僧晖墓石棺床围屏上的画像高度相似;在同时展出的五件石棺床底座正面构件中,一件带有兴和四年(542年)题记的构件,其尺寸与这一组围屏能够完全契合,它们很可能为一套组合。两座石棺床上的图像高度一致说明,北朝的画匠在雕刻石棺床画像时有较为常用的粉本,粉本内容并不完全固定,画匠会根据丧家的需要对画像内容进行适当的调整。
The four stone panels on the screen of the stone funerary bed currently housed in the Shenzhen Goldstone Museum of Art were previously exhibited in the Shenzhen Museum.The line carved images on the stone panels are highly similar to the screen images of the stone funerary bed of Xie Shi-Feng Senghui’s tomb in the Eastern Wei Dynasty,unearthed in Anyang.Among the fi ve front components of the pedestal of the stone funerary beds exhibited simultaneously,one component with an inscription from the fourth year of Xinghe Period(542),whose size perfectly matches this set of screens,and they are likely a combination.The high consistency of the images on these two stone funerary beds indicates that craftsmen in the Northern Dynasties often used copy books to carve stone funerary bed images.The content of the copy books were not completely fi xed,and the craftsmen would make appropriate adjustments to the content of the images according to the needs of the bereaved family.
作者
董睿
Dong Rui(Henan University,Kaifeng,475004)
出处
《博物院》
2023年第6期69-82,共14页
Museum
基金
国家社科基金艺术学项目“跨文化视阈下长城沿线墓室壁画研究”(23BF099)
河南兴文化工程文化研究专项项目“开封州桥遗址出土石雕壁画研究”(2023XWH078)阶段性成果
关键词
孝子故事
石棺床
粉本
北朝
Story of dutiful son
stone funerary bed
copy books
the Northern Dynasties
