摘要
文化政治美学是在全球文论和美学的政治转向语境下诞生的新美学范式,它是审美与历史双重视角结合下的整体性文化批评模式,是当代美学政治转向下的理论建构。它以"政治"视角切入对当代审美文化的批判,将审美隐喻与政治乌托邦在文化领域中形成视界融合。中国当代文化政治美学的初步研究呈现出三种表现形态:作为审美修辞、作为话语策略和话语权力及作为文化治理尤其是审美治理的文化政治美学。它是马克思主义美学中国化建构与世界当代美学政治转向合流下的美学理论生长点,是走出后现代解构主义的一个重要契机,也是中国文论现代转型的重要契机。
Political Aesthetics is a new aesthetic paradigm born in the context of the political turn of global literary theory and aesthetics.It is a holistic mode of cultural criticism under the combination of aesthetic and historical perspectives,and a theoretical construct under the political turn of contemporary aesthetics.It integrates aesthetic metaphors and political utopias in the cultural field through the critique of contemporary aesthetic culture from a"political"perspective.A preliminary study of contemporary Chinese political aesthetics presents three facets:cultural and political aesthetics as aesthetic rhetoric,as discourse strategy and power,and as cultural governance,especially aesthetic governance.It is the growth point of aesthetic theory under the merging of Marxist aesthetics in China and global contemporary aesthetic politics,an important opportunity to get out of postmodern deconstructionism and to transform modern Chinese literary theory.
作者
王洪岳
龚游翔
Hongyue WANG;Youxiang GONG(Zhejiang Normal University,China)
出处
《马克思主义美学研究》
2020年第1期225-236,745,共13页
Research on Marxist Aesthetics
关键词
文化政治美学
审美修辞
话语策略
审美治理
当代美学
cultural and political aesthetics
aesthetic rhetoric
discourse strategies
aesthetic governance
contemporary aesthetics
作者简介
王洪岳,文学博士,浙江师范大学人文学院教授、博士生导师、文艺学研究中心主任、浙江省江南文化研究中心研究员,山东艺术学院特聘教授,中华美学学会马克思主义专业委员会委员,研究方向为现代美学、文学理论;龚游翔,浙江师范大学人文学院文艺学硕士研究生,研究方向为文艺美学、文化研究。
