摘要
马克思主义哲学、政治经济学和科学社会主义这三大领域的基础理论构成了马克思主义美学理论多源生长的起点。其中,实证性是恩格斯的美学思想的根本基础之一,也是马克思与恩格斯美学思想相通共识之处,深入地理解实证性是理解恩格斯的美学思想和马克思主义美学的前提。马克思主义美学实证性研究包含马克思恩格斯对待实证知识和实证科学与实证主义的不同态度及其成因分析,还包含他们对实证知识、实证科学的具体范围、基本功能的阐释,更包含两者在美学研究中的具体运用。实证性研究具有衔接辩证唯物主义和历史唯物主义的纽带作用,由此审美实证性研究需兼顾两者,不可偏废。通过对马克思主义与实证主义、实证研究之间的复杂关系的辨析,可以发现,审美实证精神与马克思主义美学的倾向性、批判性、辩证性、历史性等重要维度相互映衬,是马克思主义美学的重要的基础性原则。
The basic theories of Marxist political economy,philosophy and scientific socialism constitute the multi-sources of Marxist aesthetic theory.Among them,positivity is one of the fundamental factors of Engels’s aesthetic thought,and it is also one of the connection between Marx’s and Engels’s aesthetic thoughts.A deep analysis of positivity is the prerequisite and of significance for understanding Engels’s aesthetic thought and also Marxist aesthetics.The positive study of Marxist aesthetics includes the different attitudes of Marx and Engels towards positive knowledge,positive science and positivism.It also includes their interpretation of positive knowledge,the specific scope and basic function of positive science,as well as their specific application in the aesthetic investigation.Positive research has a link between dialectical materialism and historical materialism.Therefore,aesthetic positive research should take both of them into account.Through the analysis of the complex relationship among Marxism,Positivism and positive research,aesthetic positivity takes effect with other dimensions of Marxist aesthetics,such as tendentiousness,critic,dialectics,historicity and evolution,and finally becomes an important basic principle of Marxist aesthetics.
作者
孟凡君
王杰
Meng Fanjun;Wang Jie(Jilin University;Zhejiang University)
出处
《马克思主义美学研究》
2020年第2期-,共24页
Research on Marxist Aesthetics
基金
浙江省社会科学界联合会研究课题(2021N79)
国家社科基金重大项目:“当代美学的基本问题及批评形态研究”(15ZDB023)
中国博士后科学基金面上资助(第66批)(2019M662096)
浙江省博士后择优资助项目(zj2019116)
“中央高校基本科研业务费专项资金资助”项目(19MGC0706)的阶段性研究成果
作者简介
孟凡君,吉林大学文学院,讲师,主要研究方向为马克思主义美学、认知神经美学等;王杰,浙江大学教授,长江学者,主要研究方向为马克思主义美学、审美人类学。
