摘要
自2010年至今,“丧文化”呈不断复现并升级的态势,已经构成了一种长期性、循环性的文化症候。“丧”是一种“制度性规范/文化目标”之间的矛盾所导致的失范状态,其中,文化目标的失效问题正在变得越来越突出。所谓“文化目标”,是指由“功绩主义/消费主义”所支持的“成功学”价值观,该价值观90年代在我国登陆,曾作为一种替代性社会协调机制在特殊的历史时期发挥作用,近年来却由于在实践中反复受挫而出现了动摇的迹象,这导致部分青年群体陷入了精神危机状态。当前,我们正在进入一个“后丧文化”时代,如果“丧”转化为大众对外部世界的总体性判断,将有可能导致大众社会性格的改变。
Since 2010,“sang culture”has been constantly reappearing and upgrading,which has become a long-term and cyclical cultural symptom.“Sang”is a kind of anomie state caused by the contradiction between“institutional norm/cultural objective”,among which the failure of cultural objective is becoming more and more prominent.“Cultural objective”refers to the“the value of success”supported by“meritocracy/consumerism”.This value landed in China in the 1990s and once played a role in a special historical period as an alternative social coordination mechanism.However,in recent years,it has shown signs of wavering due to repeated setbacks in practice,which has caused some youth groups to fall into a state of spiritual crisis.At present,we are entering into an era of“post sang culture”.If“sang”is tured into the public's general judgment on the external world,it may lead to the change of the social character of the public.
出处
《文化研究》
2023年第1期187-204,共18页
Cultural Studies
基金
国家社科基金重大项目“马克思主义文学理论关键词及当代意义研究”(18ZDA275)的阶段性成果
关键词
丧文化
文化目标
功绩主义
成功学
青年
“Sang”Culture
Cultural Objective
Meritocracy
The Value of Success
Youth Groups
作者简介
勾彦殳,复旦大学中国语言文学系博士后
