摘要
新编汉剧《夫人城》基于历史典籍与文艺作品中“孙夫人”这一原型,从女性视角切入,以其命运的起伏与聚散为核心驱动力,巧妙地将民间传说的趣味性与历史正剧的思辨性交织在一起,重塑三国时期女性典范孙尚香(孙夫人)的传奇人生。研究立足历史祛魅与正剧创新,采用文本分析与舞台艺术解构方法,探讨该剧如何打破传统历史叙事的单一性,以虚实交织的戏剧手法重塑三国记忆,在正剧框架下完成对权力、情感与伦理的现代反思,从而赋予三国题材以人文关怀,为历史题材戏剧创作提供创新范式。
Based on the archetype of Sun Shangxiangin in historical books and literary works,the newly-adapted Furen Cheng takes the rise and fall of her destiny as the core driving force from the perspective of women,cleverly interweaving the interest of folklore with the speculative nature of historical drama to reconstruct the legendary life of Sun Shangxiang(Sun Furen),a female model during the Three Kingdoms period.Based on the disenchantment of history and the innovation of the historical drama,the research uses the methods of text analysis and stage art deconstruction to explore how the play breaks the unity of the traditional historical narrative,reshapes the memory of the Three Kingdoms with the dramatic technique of interweaving fiction and reality,and completes the modern reflection on power,emotion and ethics under the framework of the drama,so as to endow the theme of the Three Kingdoms with humanistic care and provide an innovative paradigm for the creation of historical drama.
作者
许爱珠
林奕敏
XU Aizhu;LIN Yimin(College of Humanities,East China Jiaotong University,Nanchang 330000,China)
出处
《湖北文理学院学报》
2025年第7期10-15,共6页
Journal of Hubei University of Arts and Science
基金
江西省社会科学“十三五”项目(20YS03)
江西文化艺术基金文学一类创作资助项目(2024-049-WX04C)。
关键词
《夫人城》
三国
汉剧
孙尚香
戏剧创作
Furen Cheng
the Three Kingdoms
disenchantment of history
new interpretation of historical drama
drama writing
作者简介
许爱珠(1969-),女,江西宜黄人,教授,博士,博士生导师,主要研究方向:戏剧,影视;林奕敏(1996-),女,广东汕头人,硕士研究生。
