摘要
试从知识生产与信息转译的角度,探讨遗址博物馆数字展示技术研究的维度与可能,提出将数字媒介视为遗址博物馆展览信息阐释媒介,纳入展览内容设计与文本编撰范畴。同时,提出应重视数字人文的解释力与整合力。数字展示媒介的本质问题并非形式问题,而是内容层面的问题。难点在于如何结合遗产核心价值、文物文化内涵与观众认知特点进行技术与内容的匹配与研发。包括发掘方在内的研究者、博物馆策展方与数字技术团队的协同参与,对构建遗址博物馆数字化阐释体系有关键作用。未来评估遗址博物馆数字展示技术,应结合互动、沉浸、虚拟仿真等技术形式,来判断其信息供给的内核与实际效能。
This article attempted to explore the dimensions and potentials of digital exhibition technology research in archaeological site museums from the perspective of knowledge production and information translation.It proposed to regard the digital media as a medium for interpreting exhibitions in site museums,and incorporate it into exhibition content design and text compilation.At the same time,the explanatory and integrative capabilities of digital media are highlighted.The essential of digital display is not a matter of form,but rather a matter of content.The difficulty lies in how to match and develop technology and content by combining the core values,the cultural connotations of the objects,and audience cognitive characteristics.It is crucial to construct a digital interpretation system with the collaborative contribution of archeological excavation team,researchers,curators,and digital technology team.In the future,the evaluation of conveyed information and practical performance of the digital exhibition technology in site museums should take interactive,immersive,virtual simulation and other technical forms into consideration.
作者
李倩倩
Li Qianqian(Sichuan University,Chengdu,610000)
出处
《中国博物馆》
北大核心
2023年第6期39-44,127,共7页
Chinese Museum
基金
四川大学2035先导计划“文明互鉴于全球治理研究计划——区域历史与考古文明”(项目批号:2035xd-02)的阶段性研究成果。
关键词
遗址博物馆
数字技术
考古文物
展览
阐释
archeological site museum
digital technology
archeological object
exhibition
interpretation
作者简介
李倩倩,女,四川大学考古文博学院副教授、博士后,主要研究方向:博物馆学、文物学与艺术史。电子邮箱:liqianqian@scu.edu.cn。
