摘要
广州西汉南越王墓主棺室出土玉器形式多样,功能多元。该墓主棺室内的丝缕玉衣以及附着在玉衣内的玉璧与墓主尸体联系最为密切,它们共同构成了墓葬中的“柩”,又因玉器的独特质料使其转化成为了保存死者遗体的“玉柩”。玉衣上的组玉佩界定了墓主社会身份并作为死者形象替代物随葬于玉衣之上、内棺之中。主棺室中的铜承盘高足玉杯和玉衣周围那些独立的玉璧和玉珮呈现出墓主借此引魂升仙的个人企盼。至于如何以大型景观的形式来表达墓主脑海中的仙界图景?位于南越国宫殿遗址东北侧的蕃池建筑可能是墓主生前对仙界憧憬并进而营建的视觉幻像。
The jadeware excavated in main coffin room of Nanyue King´s tomb during the Western Han dynasty in Guangzhou have varied form and multiplex functions.The silk jade clothes and jade bi which adhered to the jade clothes are the most closely linked to the dead body in The main coffin room of Nanyue King´s Tomb.They not only composed the coffin of the tomb in common,but also are transformed into the jade-coffin which protected dead body because of the jadeware´s unique material.The group jade pendant which covered on Jade burial suit definded the dead´s social identity.As a substitute for the image of the dead,it also was buried with the dead in coffin.Furthermore,the copper bearing plate high foot jade-cup jade bi and jade pendant which surrounded the jade clothes presented the personal expectation of leading souls to immortality for Nanyue King.As for how to express the fairyland picture of dead´s thought by using the form of large-scale landscape?Fan pool which was built in the northeast side of palace ruins of Nanyue Kingdom was probably the visual fantasy of fairyland of Nanyue King before death.
出处
《艺术设计研究》
CSSCI
2023年第4期28-34,共7页
Art & Design Research
基金
广东省哲学社会科学规划2020年度一般项目:地域文化与“原境”视野下的南越国时代建筑与器物研究(项目编号:GD20CYS35)的阶段性研究成果。
关键词
南越王墓
主棺室
出土玉器
丧葬功能
Nanyue King´s tomb
The Main Coffin Room Of Nanyue King´s Tomb
unearthed jadeware
funeral functions
作者简介
刘晓达,广东第二师范学院美术学院、教授、博士。
