摘要
“桥”在中国山水画中属于一种重要的“人迹”元素,除了一般的“点景”功能外,“桥”在画面中还具有强烈的叙事结构与意指功能。通过梳理“桥”在山水画中的图像演变历程,可知“桥”是文人画家建构其隐逸思想的一种特殊方式。在图像功能与符号指示上,山水画中的“桥”是一种连接画内外并使山水“可行”的“路”。在结构势能与空间结构上,“桥”为画面内部制造了曲折的叙事情节与视觉期待,是一种关键的转折点,引发了画面结构的紧张与冲突。在时空体验与心理感知上,“桥”构成了一种历史之“迹”和“跨时空”来访,暗示着访客的到来。“桥”不仅是沟通画家与观者情感的中心媒介,也是承载现在与过去的记忆场所,为山水画赋予了一种时空特性。
"Bridge"in Chinese landscape paintings is an important"human trail"element,in addition to the general"point scene"function,"bridge"in the picture also has a strong narrative structure and reference function.Through combing the image evolution of"bridge"in landscape painting,we can see that"bridge"is a special way for literati painters to construct their thoughts of seclusion.In terms of image function and symbol indication,the"bridge"in landscape painting is a kind of"road"that connects the inside and outside of the painting and makes the landscape"feasible".In terms of structural potential and spatial structure,"Bridge"creates a tortuous narrative plot and visual expectation for the interior of the picture,which is a key turning point and causes tension and conflict in the picture structure.In terms of spatio-temporal experience and psychological perception,"bridge"constitutes a historical"trace"and"cross-spatio-temporal"visit,implying the arrival of visitors."Bridge"is not only a central medium to communicate the emotions of the painter and the viewer,but also a place to carry the memory of the present and the past,which endows landscape painting with a kind of space-time characteristics.
出处
《艺术设计研究》
CSSCI
2022年第3期75-80,共6页
Art & Design Research
关键词
山水画
桥
时空
叙事
landscape painting
bridge
spatio-temporaltime
narrative
作者简介
王天乐,中山大学艺术学院助理教授,博士。
