摘要
目前学者们对北魏宁懋石室的用途、图像结构和文化内涵还存在一些不同认识,尤其对后壁所谓"宁懋夫妇像"的认识分歧较大。本文对石室的形制和图像源流、宁懋本人的匠作经历作了检讨,对石室后壁的人物图像作了重新释读,认为宁懋石室既沿用了平城时期的房形石椁传统,又注入了更多中原化的艺术元素,还开创了一个丧葬艺术的先例——以"主仆图"来表现内宅生活的场景。宁懋石室可谓北魏迁洛前后丧葬艺术变迁、文化转型、匠作体制综合影响下的产物。
The debates on the subject of the Northern-Wei Ningmao stone chamberedtomb remain regarding its uses,images composition and cultural connotation,above all,there being many different opinions towards the‘Ningmao couple’s portrait’on the back wall.This thesis intends to reinterprets the images and figures on the back wall from a different perspective by reviewing the history of the tomb’s structure and the sources of the images as well as Ningmao’s craftsmanship experience and more,followed by the point that the‘Ningmao Chambered-tomb’was constructed after the style of the traditional houseshaped stone tomb of Pingcheng period and added with artistic elements of central China,which therefore created a form of funeral art----‘master-servant’image reflecting the leisurely and comfortable life of the noble class in their residency.The Ningmao chamberedtomb came out as the result of the transitional changes in burial art,culture and artisanal system before and after the relocation of the Northern-Wei Dynasty.
出处
《故宫博物院院刊》
CSSCI
北大核心
2021年第9期68-77,145,共11页
Palace Museum Journal
基金
国家社科基金重大招标项目《隋唐五代壁画墓与中古文化变迁研究》(项目编号:20&ZD249)的阶段性研究成果(项目首席专家:李梅田)。
关键词
北魏
宁懋石室
房形石椁
葬具画像
the Northern-Wei Dynasty
Ningmao stone chambered-tomb
stone house-shaped outer coffin
burial images
