基于象征人类学视角的刘三姐文化解读被引量：4

An Interpretation of Liu Sanjie's Culture from the Perspective of Symbolic Anthropology

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摘要传统歌圩中的歌仙刘三姐作为象征符号与拜岩拜庙、歌圩、抛绣球等刘三姐祭祀活动构成壮族传统歌圩神圣与世俗交融的符号体系,隐喻了生命繁衍、婚姻美满、幸福平安等生殖文化与农耕文化的意义。政府主导下的新歌圩,以渗透和移植、改造和置换等方式征用传统歌圩的形式来展演壮族文化与塑造壮族身份,构建宏大的多民族共生共荣的民族团结话语并形成地方文化品牌。多重文化交汇生成了多种刘三姐文本系列,塑造了形态各异、意义不同的刘三姐形象,刘三姐符号随之延伸到民俗、政治、历史、经济、审美等各个领域,实现了跨界联结的文化意义再生产,带来了多样性功能与价值的叠加,整合了区域内各个群体,成为一个集自然、社会、文化等为一体的象征系统。刘三姐审美话语的发生和演变既折射了不同历史时期不同主体的意识形态、审美观、价值观和文化认同,也建构了壮族社会共享的文化符号与族群认同。 The song fairy Liu Sanjie in the traditional song fair,as a symbolic symbol,and the sacrificial activities about her such as worshiping the rock and worshipping temple,song fair,throwing hydrangea balls,etc.,constitute a symbolic system that blends the sacred and secular of the traditional song fair of the Zhuangs,which metaphorizes the meanings of reproductive culture and farming culture such as life reproduction,happy marriage,happiness and peace.The new song fair under the leadership of the government uses traditional song fair forms such as infiltration,transplantation,transformation and replacement to showcase the Zhuang culture and shape her identity,building a grand unity discourse of multi-ethnic symbiosis and co-prosperity and forming a local cultural brand.The intersection of multiple cultures has produced a variety of Liu Sanjie text series,shaping the image of Liu Sanjie with different forms and meanings,and the symbol of Liu Sanjie has been extended to various fields such as folklore,politics,history,economy,aesthetics and so on.It realizes the reproduction of cultural meaning of cross-border connection,brings the superposition of diverse functions and values,and integrates various groups in the region into a symbolic system that integrates nature,society,culture and so on.The occurrence and evolution of Liu Sanjie's aesthetic discourse not only reflects the ideology,aesthetics,values and cultural identity of different subjects in different historical periods,but also constructs the Zhuang society.

作者任旭彬 REN Xubin(Institute of Culture,Guangxi Academy of Social Sciences,Nanning,Guangxi 530022,China)

机构地区广西社会科学院文化研究所

出处《百色学院学报》 2020年第4期15-22,共8页 JOURNAL OF BAISE UNIVERSITY

关键词象征体系刘三姐歌圩审美话语 symbolic system Liu Sanjie Song Fair aesthetic discourse

分类号 G122 [文化科学]

作者简介任旭彬(1967-),男,壮族,广西隆安人,广西社会科学院文化研究所副研究员,博士,研究方向为审美人类学。