摘要
林语堂在《京华烟云》中既以独听模式刻画帝都北京城市空间的晨钟暮鼓声、小贩叫卖声以及湖、河等水上空间的船工歌声、箫声,又以共听模式描绘庭院、教堂等听觉空间里回荡的各种声音与听觉体验,还以偷听模式表现冯红玉自杀与听觉叙事之间的叙事张力。同时,因听觉空间界限、聆听者身份的模糊性以及诸如战场等听觉空间位置的特殊性,存在独听和共听模式共存的现象。林语堂以多样化的听觉叙事模式与他从小对听觉感知的强烈兴趣及其对声音敏锐的感受能力密切相关。
Lin Yutang used three different auditory narrative modes to depict the urban space of the imperial capital Beijing in his novel Moment in Peking.First,using a single-listening mode,he described the morning bells,dusk drums,singing and sound of Xiao from the boatman on rivers or lakes,and the peddling voices of the vendors.Second,by the joint-listening mode,he displayed the sounds and auditory experience in the courtyards and churches.Also,he presented the tension between the suicide of Feng Hongyu and his own auditory narration through an eavesdropping mode.At the same time,the narrative modes of single-listening and joint listening existed in the novel due to the auditory space boundary and the ambiguity of the listener’s identity,and the particularity of the auditory spatial location,such as the battlefield.The variety of Lin Yutang’s auditory narrative modes was closely related to his strong interest in auditory perception and his sensitivity to the sounds from his childhood.
作者
陈智淦
CHEN Zhigan(School of English Language and Culture,Xiamen University,Tan Kah Kee College,Zhangzhou,Fujian 363105,China)
出处
《南京航空航天大学学报（社会科学版）》
2020年第3期93-99,共7页
Journal of Nanjing University of Aeronautics & Astronautics（Social Sciences）
关键词
《京华烟云》
林语堂
听觉叙事
听觉空间
Moment in Peking
Lin Yutang
auditory narration
auditory space
作者简介
陈智淦,男,副教授,主要研究方向为英美文学、比较文学及当代西方文艺理论。
