摘要
克尔凯郭尔把感官性分为灵魂性感官性和精神性感官性。前者是美学和伦理生活中理性与感性关联的横向组合;后者是宗教信仰中不确定性隐喻的纵向聚合。精神性感官性是灵魂性感官性的否定性过程。在人的众多感官中,听觉最具有精神性定性。语言是最具体的听觉媒介;音乐是最抽象的听觉媒介。越抽象的听觉媒介,越具有精神性。听觉不仅是抒情的,而且具有抒情交流方面的叙事特征,这集中体现在声音的时空建构和聆听的多样性。作为听觉叙事的对象,声音可分为外在之声和"内在性"声音。主体的倾听可能演化为诗意的幻听或信仰的灵听,是听觉叙事的另一个对象。在灵听的过程中,缄默之声可能转化为信仰的"圣音"。
Kierkegaard distinguishes the sensuous into the one of soul and the other one of spirit.The former is a syntagmatic relationship of rationality and sensibility in aesthetic and ethical life;the latter is paradigtnatic relationship of uncertain metaphors in religious beliefs.The sensuous of spirit negates the one of soul.It is most possible that the auditory is spiritually qualitative among the senses of human beings.In hearing,Language is the most specific medium,while music is the most abstract medium.In the medium,the more abstract is the more spiritual Hearing is not only lyrical in expression,but also narrative in lyric communication.It is reflected in the temporal and spatial construction of sound and the diversity of listening.As one of the objects of auditory narrative,the sound can be divided into the external one and the intrinsic one.Another object of auditory narrative is the listening of the subject,which may evolve into a poetic hallucination or a spiritual hearing of faith.In the process of spiritual hearing,the sound of silence may be transformed into the sacred voice.
出处
《基督宗教研究》
2019年第2期211-225,共15页
Study of Christianity
基金
国家社会科学基金重大项目“中西叙事传统比较研究”(编号:16ZDA195)阶段成果。
作者简介
王文勇,南昌师范学院文学院副教授,江西师范大学博士后。
