摘要
作家给人物命名从来不是随心所欲,人物命名通常隐含深层寓意,红楼梦人名不仅寓意深刻,而且蕴含着丰富的美学信息,两个译本的人名翻译也各有千秋。从翻译美学角度着手,以红楼梦中隐喻人名为审美客体,可以对原文中人名的美学价值和译本中的美学信息加以分析。通过对译本采用的翻译策略作一分类,并分析在还原原文美感方面的得失之处,可知在隐喻人名翻译中,只有充分体会原文美感并对其进行还原或补偿,才能在译文中尽可能多地保留原文的韵味,达到神似。
Writers never name their characters at will,and the characters' names usually have implicit meanings.The names in Hongloumeng not only carry profound messages,but also contain rich aesthetic information.Each of the two translation versions of these names has its own merits.Taking metaphoric names in the original text as aesthetic objects,and from the perspective of translation aesthetics,the aesthetic values in the novel and the aesthetic information in the translation versions can be carefully analyzed.Through the classification of the translation strategies and evaluation of the gain and loss in restoring the beauty in the original text,it can be concluded that,if a translator wants to reserve original appeal as much as possible,he must fully appreciate the beauty in the original text and try to restore and compensate it in the translation version.
出处
《海外英语》
2011年第9X期214-215,219,共3页
Overseas English
关键词
红楼梦
隐喻人名
翻译美学
Hongloumeng
metaphoric name
translation aesthetics
