摘要
在抗日战争时期大后方电影强大的时代性、政治性、宣教性的表象之下,蕴涵了异常复杂、深刻、多元的情感和文化价值。本文旨在通过对抗战时代电影、战争、革命、知识分子多重关系的探讨,揭示大后方电影发生的深刻成因,并加以合理的解说。
During the Anti-japan War, Under the facial presentation that the films in rear area were with great characters of time, politics, propaganda and educating, the presentation itself contained deep and multiple value of emotion and culture. By the discussion on the multi-relationships between films, war, revolutionary and the intelligences, this article reveals how the films in rear area came into being and, gives a rational explanation to it.
关键词
大后方电影
战争
革命
知识分子
the films in rear area
war
revolutionary
intelligence
作者简介
安燕（1976-），女，贵州民族学院文学与传播学院讲师。
