摘要
从彷徨到共创繁荣到退出历史舞台,新中国初期的私营电影走过了一条曲折而多彩的道路。私营影业对新中国电影的发展和进步作出了自己的贡献,其创作成就应该得到客观公正的评价和关注。私营电影一方面承继了解放前电影艺术传统,另一方面迎合了新时代的文艺思想,呈现出丰富多元的艺术形态。同时,无论是承继还是迎合,都有其辩证性,对私营电影面貌产生着或利或弊的影响。立足今天回顾历史,我们既要去除蒙蔽在私营电影创作群体上的“左”的历史偏见,也不能纠枉过正,忽略私营电影自身创作的局限和不足。
The private-owned movie industry of new China has experienced a lot such as its hesitation at the crossroad,its prosperity and its secession from the historical stage at last,and it has also contributed much to the development and improvement of new China movie.On the one hand,the private-owned movie inherited the artistic tradition before liberation;on the other hand,it also catered for the literary and artistic concept in the new time,both of which have made an influence on the private-owned movie with its advan-tages and disadvantages.Not only do we have to dispel the historically left prejudice of how to look at the group of the movie creation of the private-owned movie,but also we mustn't overdo in righting wrong,and nor do we neglect the limits and weakness of the private-owned movie industry itself.
出处
《北京电影学院学报》
CSSCI
北大核心
2002年第2期27-41,共15页
Journal of Beijing Film Academy
