摘要
自由是自然与社会的发展方向,也是人类永恒与天然的生命追求。影片《刘三姐》与《阿诗玛》作为民族艺术的典型个案,其主人公对外在自由的生存状态与内在自由的生命境界及爱情有着共同的追求,并得以升华与超越。它们折射出丰富的艺术人类学价值,体现出深邃的民族生态审美内涵,典范地表现了民族艺术中自由理想的生发路径。
Freedom is not only the development direction of nature and society,but also the eternal and natural life pursuit of human beings.Movies Liu Sanjie and A-Shi-ma,as typical cases of ethnic art,have shown the heroines common pursuit of external free survival condition and internal free life realm and love,which has been sublimed and transcended.They have refracted rich artistic anthropological value,embodied in-depth ethnic eco-aesthetic implication,and typically presented the development of the ideal of fre...
出处
《广西民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第3期30-35,共6页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
