摘要
现如今关夫子诗竹画遍布全国。历代所存的关夫子诗竹画主要有插图、木刻板、碑碣等几种载体。诗竹画的创作时代众说纷纭,有关公自创说、明代徐州掘地说、降鸾扶乩说、清代说、后人说和明代说等。本文通过对关夫子诗竹画中"画""竹""诗"的分析,得出它的创作时代是在元明两代。从关公崇拜和相关的文献资料中,判断出它的创作时代有可能是在明朝初期的永乐年间,这幅画的作者是一些非常欣赏关公并且有一定绘画技巧的人。
Nowadays,We can see the Guan Fuzi's Bamboo and Poet Drawing all over the country.It's expression have some differences.It's expression forms maily includes illustration and woodcarving and stone inscription,etc.There are many origins about the times of creating era of Bamboo and Poet Drawing,such as Guangong self-drawing and excavating in Xuzhou in Ming Dynasty and folks superstitions and Qing Dynasty or Ming Dynasty etc.We can draw a conclusion about the creating era of the Guan Fuzi's Bamboo and Poet Drawing from the analyzing the drawing,bamboo and poet.Its creating era is in turning of Yuan and Ming dynasty.We can ulteriorly conclude the creating era from admiring Guangong and relative matierials,its creating era maybe in the year of Yongle in early Ming Dynasty.The author of the drawing is someone enthusiasticly admiring Guangong which have some drawing techniques.
作者
邹冬珍
卫文革
Zou Dongzhen;Wei Wenge(The Museum of Yuncheng City;Cultural Relics Bureau of Yuncheng City)
出处
《东方考古》
2020年第1期170-194,共25页
East Asia Archaeology
关键词
关公
诗竹画
创作时代
Guang Gong
bamboo and poet drawing
creating era
