摘要
基于"大理论衰微"背景而倡导的"重建电影研究"显现为未完成时态,电影的文化研究、心理学研究等以内涵的变化与拓展延续着现代电影理论发展的基本路径。在基于数字、网络时代的出现而产生的新的电影现象以及新的理论语境中,"电影"概念的重建,以及与此相关的电影研究在科技、哲学、语言、工业及方法层面的转向,一方面寻求着自身的变化发展逻辑,另一方面则期求与电影创作形成新的"对话"关系,以此来构建一个良性的电影生态。
Based on the background of the declining of the Grand Theory, the research on the reconstruction of the film studies appears to be in an incomplete tense, and the cultural and psychological studies of the film have been changed and expanded in connotation, along the basic path of the development of modern film theory. On account of the emergence of the digital and network society, new film phenomenon and new theoretical context were generated, therefore, the reconstruction of the concept of the film and the related shifts in film research in the fields of science, philosophy, language, industry and methodology are seeking their own logic of change and development, as well as their new dialogues with film creation to build a benign film ecology.
出处
《电影艺术》
CSSCI
北大核心
2020年第1期14-20,共7页
Film Art
关键词
电影研究
理论重建
研究转向
film study
theory reconstruction
research diversion
作者简介
陈晓云,北京师范大学艺术与传媒学院教授、博士生导师。
