摘要
在电子影像文化,尤其是当代信息超载的语境下,如何从全新的角度来思考和阐释电影乃至影像文化是一个重要课题。文章创造性地把德勒兹式的精神分裂分析哲学,处于数字网络屏幕文化中的电影和神经科学的成果这三个领域结合起来,综合理解神经-影像这一新的类型、形式和其重要意义,为当代文化中已经从"现实的幻觉"转变为直接作用于我们大脑"幻觉的现实"的影像寻找新的阐释途径。
In the context of this electronic image culture,especially of contemporary information overload,how to discover a new approach of the cinema or ever the moving-images studies?To answer this question,This article creatively combines biological aspects and principles of the brain alongside recent findings in neuroscience and relate these to the emerged features of the neuro-image.Deleuzian(schizoanalytic)philosophy,cinema in digitalnetworked screen culture,and neuroscientific findings are thus the three domains this article brings together to comprehend this new image type,its form,and significance.Pisters’s final objective is to show that contemporary culture has moved from considering images as illusions of reality to considering them as realities of illusions that operate directly on our brains and therefore as real agents in the world.
关键词
神经影像
精神分裂
屏幕
德勒兹
The Neuro-Image
Schizoanalysis
Screens
Deleuze
作者简介
帕特丽夏·品斯特(Patricia Pisters),荷兰阿姆斯特丹大学媒体研究(电影研究专业)教授;张斌,上海大学上海电影学院教授
