摘要
弹幕文化已经覆盖了各种文艺形式,呈现的是人类社会正在兴起的新的视听环境。弹幕文化的盛行是社交媒体深入发展的结果,表现了文艺在社交媒体语境中的诸多变革。弹幕文化呈现了"社交型"文艺场景,社交媒体成为文艺活动的基础,群体性讨论生成了文艺作品本身不具有的艺术效果,同时肢解了作品,在文化象征形式上,呈现了文艺由传统的叙事走向网络时代数据库的趋势。针对社交媒体语境中文艺的新变化,文艺理论应走向交往诗学。交往诗学并非要取代传统的文艺观念,而是一种丰富与补充,有助于深入理解与阐释社交媒体时代的文艺活动。
Barrage culture has covered all kinds of literature and art forms,and shows a new audio-visual environment emerging in human society.As a result of the in-depth development of social media,the popularity of barrage culture shows some changes of literature and art in the context of social media.Barrage culture presents a"social"literary scene and social media becomes the basis of literary activities.Group discussion produces artistic effects that literary works themselves do not have,dismembers the works,and shows the literary trend from traditional narration to database in the Internet era.According to these literary changes,we should construct the poetics of association,which helps to deeply understand and interpret the literary activities in the age of social media.
出处
《南京社会科学》
CSSCI
北大核心
2021年第4期140-148,共9页
Nanjing Journal of Social Sciences
基金
国家社科基金重大招标项目“中国新媒介文艺研究”(18ZDA282)的阶段性成果
关键词
社交媒体
弹幕文化
交往诗学
新媒介文艺
social media
barrage culture
the poetics of association
new media literature and art
作者简介
黎杨全,西南大学文学院教授、博导
