摘要
作为古代伊朗文化的集大成者,萨珊艺术毫无疑问在世界艺术史上具有不可忽视的重要地位:它一方面继承和发扬了具有悠久历史的古代东方传统,另一方面又汲取了希腊罗马以及其他一些外来文化因素,最终融会贯通于本土艺术之中。在东西方艺术的碰撞交融过程中,独树一帜的萨珊艺术表现出了强劲的时空影响力。这其中又以传世最多且最具特色的金属细工最富代表性,尤其是银器。本文旨在通过对萨珊银器基本概念、主要特征的分析,尝试就其反映出的一些相关问题进行讨论,以求教于学界方家。
Silver is an important reflection of Sasanian royal art.For“Bactrian metalwork”and“Post-sasanian”silver,the space-time impact of Sasanian silver is obvious,which can be interpreted as an unique creation under the influence of Sasanian art.And the key of judging the cultural attribution of related silver,which is depended on whether we could have a relatively accurate knowledge about the blending degree of different cultural elements.As a result,we need to discuss the features of Sasanian silver from three main aspects of shape,motif and craft to make the origin clear.
作者
付承章
Fu Chengzhang(Sun Yat-Sen University,Department of History,Zhu Hai)
出处
《丝绸之路研究集刊》
2022年第2期350-360,533,共12页
Journal of the Silk Road Studies
