摘要
在中国古代思想中,源始的“大乐”经常被描述为寂静的,罕可听闻的声音。大乐或至乐虽然是最简单的,却是最高层次的音乐。这种无声大乐的思想在海德格尔哲学中获得了回响。海德格尔在其存在之思中提出的存在的寂静之声同中国古代音乐思想中的无声之声遥相呼应。在天地神人四方的和谐共鸣中,源始的音乐就是这种存在之音,为世界和历史调音的寂静之声。最后本文考察了海德格尔所批评的科技时代中,音乐所面对的危险。为留存音乐之本质,对寂静之音的倾听依然是必要的。
In ancient Chinese thought,the originary Grand music is silent and rare to be heard.It is the simplest one,but at the same time it is the highest level of music as it harmonizes the heaven,the earth and human beings.This paper indicates that the thought of silent music finds its resonation in Heidegger.Heidegger's sound of stillness(die Stimme der Stille)in his Being thinking reverberates the silent music in ancient Chinese thought and discloses the origin of it in the history of Being.I discuss the danger faced by music in the age of technology and demonstrates that it is still and even more necessary to hearken the silent music in order to save the essence of music.
出处
《思想与文化》
2022年第2期147-159,共13页
Thought & Culture
基金
国家社科基金一般项目“《黑皮本》与海德格尔中后期思想研究”(项目编号:19BZX091)阶段性成果
关键词
音乐
寂静
声音
科技
Music
Silence
Sounds
Technology
作者简介
朱清华(1972—),女,山东人,首都师范大学哲学系教授,研究领域为古希腊哲学、现象学、中西思想比较。
