摘要
随着传媒视听化转变,档案资源开发利用愈发需要借助具象化场景满足用户需求。对于具有鲜明时代和文化印记的红色档案而言,戏剧化开发较之于纪录片、短视频等更具场景效果和情感体验。为此,以“记忆之场”理论为指导,在阐释红色档案资源戏剧化开发与其内在逻辑契合的基础上,尝试构建包含“点-线-面-场”的红色档案资源戏剧化开发模式、流程与循环周期,并系统剖析红色档案资源戏剧化开发应用中以点为基、连点成线、织线成面、组面成场的具体路径与方法。
With the transformation of media audio-visualization,the development and utilization of archival resources increasingly needs to meet users'needs through figurative scenes.For red archives with distinctive era and cultural imprints,dramatized development is more effective than documentaries and short videos in terms of scenes and emotional experiences.Therefore,based on the"les lieux de mémoires"theory,we try to build a dramatized development model,process and cycle of red archival resources including"point-line,surface and stage"on the basis of explaining the inner logic of the dramatized development of red archival resources,and In addition,we will systematically analyze the specific paths and methods of the dramatized development and application of red archival resources from four aspects:material,symbolic,and functional,based on points,connecting points into lines,weaving lines into surfaces,and forming surfaces into fields.
作者
李姗姗
张鑫雨
LI Shanshan;ZHANG Xinyu(School of Public Management,Northwest University,Xi'an 710127)
出处
《山西档案》
2023年第1期5-13,共9页
Shanxi Archives
基金
国家社科基金青年项目“基于风险评估模型的濒危档案文献遗产等级保护体系研究”(编号:18CTQ038)的阶段性成果
关键词
记忆之场理论
红色档案
戏剧化开发
"les lieux de mémoires"
red archives
theatricalize development
作者简介
通讯作者:李姗姗(1986-),博士,西北大学公共管理学院副教授,研究方向:档案资源建设、文献遗产保护、数字人文等;张鑫雨(2002-),西北大学公共管理学院档案学专业本科生,研究方向:档案资源建设、文献遗产保护、数字人文等。
