摘要
阿多诺的内在批评诞生于战后重建和"失败的文化"的历史语境之中,是黑格尔—马克思内在批判传统的延续,也是法兰克福学派"批判理论"指导思想之下的产物。强调内在性,拒绝把社会的种种概念从外部运用于作品,此为内在批评的主要方法。从作品的形式入手并对形式进行内在分析,进而破解社会密码,由表而入里,因内而观外,此为内在批评的致思路径和操作方案。期待文化批评和文学批评成为社会的观相术,此为内在批评的理想愿景。这种批评话语指向哲学,是"改变世界"的万丈雄心;指向文学艺术,则是对"解释世界"的不懈努力。通过自己的批评实践,阿多诺已把内在批评完美地落到了实处。
Adorno’s inner criticism was born in the historical context of post-war reconstruction and"failed culture,"and is a continuation of the Hegelian-Marxist tradition of inner criticism,as well as a product of the guiding ideology of"critical theory"of the Frankfurt School.The main method of inner criticism is to emphasize the inner nature and to refuse to apply social concepts from the outside to the work.The main method of inner criticism is to start from the form of the work and analyze the form internally,and then decipher the social code,from the surface to the inside,and from the inside to the outside.This is the ideal vision of inner criticism,which expects cultural criticism and literary criticism to become the art of viewing society.This kind of critical discourse,viewed from a philosophical perspective,embodies an ambition to"change the world";viewed from the perspective of literature and art,it is an unremitting effort to"explain the world."Through his own critical practice,Adorno has perfectly put inner criticism into practice.
出处
《中国文学批评》
CSSCI
北大核心
2021年第1期25-35,157,共12页
Chinese Journal of Literary Criticism
作者简介
赵勇,北京师范大学文学院教授(北京100875)。
