摘要
文章从北京木刻本《十方圣主格斯尔可汗传》的装帧形式、页码、板框栏与栅栏线、插图等版式特点及书写特点、跋语等方面与清代北京地区藏传佛教寺院木刻本文献进行比较,试图说明北京木刻本《十方圣主格斯尔可汗传》的版式与清代北京地区藏传佛教寺院木刻本文献大致相同,只有插图内容有所不同。再从北京木刻本《十方圣主格斯尔可汗传》的插图等版式特点探讨了北京木刻本《十方圣主格斯尔可汗传》与关公信仰之关系。
This paper consists of a comparative study of the Peking xylograph version of The Biography of the Holy Lord Geser Khan of the Ten Directions and that of the same text preserved in the Tibetan Buddhist temple in Peking. The author thinks that the two versions are roughly the same except that the attached illustrations are different. This paper has made a detailed comparison of the layout, binding form, page number, frame bar, fence line, illustrations, and features of writing and postscript. Lastly, the paper discusses the relationship between The Biography of Holy Lord Geser Khan of the Ten Directions and the belief of Guan Gong based on the illustrations.
作者
董晓荣
Dong Xiaorong(Northwest University for Nationalities)
出处
《藏学学刊》
CSSCI
2018年第1期75-91,180,共18页
Journal of Tibetology
基金
2015年国家社科基金一般项目《阿尔寨石窟壁画研究》(15BKG017)
2017年中央高校基本科研业务费专项资金项目《多民族格萨尔学科建设》(31920170133)阶段性研究成果
作者简介
董晓荣,西北民族大学社会科学院格萨尔研究中心副教授。
