摘要
21世纪以来,中国的建筑实践蓬勃发展,与此同时新兴建筑师参与的展览活动也呈现激增的趋势。相比于设计和策展实践的繁荣,对这些活动的批评反思显得尤其稀缺。《时代建筑》通过持续性地推介、阐释和评论这些建筑展览,重新塑造了一种批评性的过程。
While architectural production was bourgeoning at the beginning of the twenty-first century in China, architectural exhibitions pertaining to emerging architects were also proliferating sharply. Compared with the excess of material and curatorial practice, the critical reflection on such activities seemed to be scarce. The article argues that the way in which the journal Time +Architecture was consistently devoted to presenting,interpreting and critiquing these exhibitions reformulated a critical process of architectural production.
出处
《时代建筑》
2019年第1期178-181,共4页
Time + Architecture
基金
北京建筑大学市属高校基本科研业务费专项资金资助(X18237)
关键词
《时代建筑》
建筑展览
实验建筑
集群设计
Time + Architecture
Architectural Exhibitions
Experimental Architecture
Collective Design
作者简介
丁光辉.男北京建筑大学建筑与城市规划学院副教授.英国诺丁汉大学博士.香港城市大学博士后
