摘要
南宋学者方大琮现存赋作共17篇,其中,题下标明限韵的作品有7篇,未标明限韵的作品有10篇。通过用韵分析,可以发现,这10篇未标明限韵的赋作,皆以八韵构篇,并遵循了“平仄平仄平仄平仄”的用韵模式。它们与题下标明限韵的7篇律赋完全一致,亦可断定为律赋。方大琮的律赋经常在初入韵处使用隔句对,并且第二句无韵。这种写作方式与南宋贡举令中的规定有关,反映出南宋律赋创作中的一种普遍性问题。
Southern Song scholar Fang Dacong has a total of 17 fu works,of which 7 are marked with rhyme restrictions under the title,and 10 are not marked with rhyme restrictions.Through the analysis of rhyme,it can be concluded that the 10 works that do not indicate the restriction of rhyme are all composed of eight rhymes and follow the rhyme pattern of“ping ze ping ze ping ze ping ze”,which is completely consistent with the 7 pieces of lv fu that indicate the restriction of rhyme under the title.Therefore,it can also be concluded that they are lv fu.Fang Dacong’s lv fu often uses couplets at the beginning of the rhyme,and the second sentence has no rhyme.This practice is related to the regulations on the imperial examination of the Southern Song,reflecting a common problem in the Southern Song’s lv fu.
作者
霍雯娜
王彬
Huo Wenna;Wang Bin(College of Chinese Language and Literature,Qufu Normal University,Qufu 273165;Institute of Language and Literature,Qufu Normal University,Qufu 273165,China)
出处
《现代语文》
2025年第4期4-11,共8页
Modern Chinese
基金
国家社会科学基金后期资助项目“宋代律赋研究”(24FZWB094)。
关键词
方大琮
律赋
用韵
落韵
南宋
科举考试
Fang Dacong
lv fu
the use of rhyme
no rhyme
Southern Song
the imperial examination
作者简介
霍雯娜,女,曲阜师范大学文学院硕士研究生;王彬,男,文学博士,曲阜师范大学语言文学研究所讲师,硕士生导师。
