摘要
《哪吒之魔童闹海》创造了中国影史的最高票房,在登顶全球动画电影票房榜后仍在不断刷新,是名副其实的“国漫之光”。影片挣脱续集魔咒,超越前作,基于“破”与“立”的双重路径,对古典神话故事进行了全新的演绎。在“破”的维度上,其一打破神话叙事的固有窠臼,将哲学命题融入成长叙事实现共情转译;其二突破技术瓶颈,引领数字影像表现与电影产业升级。在“立”的维度上,影片对传统视听符号进行重新编码,构建中国美学元素的现代表达体系;同时,影片通过重塑新生代审美的创作设计,尝试建立东方美学的艺术范式。中国国产动画电影创作如何以本土文化的主体性探索、在全球票房与艺术价值层面实现多赢,《哪吒之魔童闹海》提供了有益的探索。
The film Ne Zha 2 has set the highest box office record in Chinese film history and,even after topping the global animated film box office chart,continues to break new records,earning its title as the“light of Chinese animation”.The film escapes the“sequel curse”and surpasses its predecessor,offering a fresh interpretation of the classical mythological story through the dual approach of“breaking”and“establishing”.In terms of“breaking”,first,it dismantles the fixed patterns of mythological narratives by integrating philosophical propositions into coming-of-age storytelling,achieving empathetic reinterpretation;second,it overcomes technical bottlenecks,leading advances in digital imagery and upgrading the film industry.In terms of“establishing”,the film re-encodes traditional audiovisual symbols to construct a modern expression system for Chinese aesthetic elements;at the same time,through creative design that reshapes the aesthetics of the younger generation,it seeks to establish an artistic paradigm for Eastern aesthetics.Ne Zha 2 provides valuable insights into how Chinese animated films can explore cultural subjectivity and achieve a win-win outcome in both global box office performance and artistic value.
作者
许爱珠
林奕敏
XU Aizhu;LIN Yimin(College of Humanities and Social Sciences,East China Jiaotong University,Nanchang 330013,China)
出处
《南昌师范学院学报》
2025年第4期26-30,58,共6页
Journal of Nanchang Normal University
基金
江西省高校人文社会科学研究2021年度规划项目“国产动画电影的文化价值与艺术创新研究”(YS21104)。
关键词
国产动画电影
哪吒
神话题材
Chinese animated film
Ne Zha
mythological theme
作者简介
许爱珠(1969-),女,江西宜黄人,教授,博士,研究方向:戏剧电影与电视艺术;林奕敏(1996-),女,广东汕头人,硕士研究生,研究方向:国际中文教育。
