摘要
哪吒作为传统神话角色,在不同历史阶段反映当时社会的宗教信仰、审美观念等诸多诉求,是洞察传统文化发展脉络的关键窗口。本文聚焦于哪吒形象这一文化热点,系统地阐述哪吒形象的历史演变轨迹,以及动画电影《哪吒2:魔童闹海》中哪吒服饰形象及其文化内涵。当代影视对传统神话形象的重塑影响深远,剖析动画电影中的哪吒形象,能为传统文化在现代语境下的传承与创新提供思路。研究表明,哪吒形象从南北朝起源,历经各朝代发展成强横纨绔等多样形态,直至当代趋于多元化、人性化方向发展。《哪吒2:魔童闹海》在服饰与文化内涵上推陈出新,既保留传统又融入西方潮流,其文化内涵层面,兼具人性深度、哲学融合、审美解构与集体主义,是以现代影视语言对传统文化进行深度重构,其传承创新之举为传统文化注入鲜活生命力,传统文化需要扎根历史、拥抱当下,借由创新媒介与表现形式不断迭代,方能为当代人构筑精神坐标,激发当代人向着自由、正义与梦想奋进。
As a traditional mythological character,Nezha reflects the religious beliefs and aesthetic concepts of society at different stages of history,and is a key window into the development of traditional culture.This article focuses on the cultural hotspot of Nezha's image,systematically describing the historical evolution of Nezha's image,as well as the image of Nezha's costume in the animated film Nezha 2 and its cultural connotations.Contemporary film and television have had a profound impact on the reshaping of traditional mythological images,and analyzing the image of Nezha in animated films can provide ideas for the inheritance and innovation of traditional culture in a modern context.Research has shown that the image of Nezha originated in the Northern and Southern Dynasties,and has developed into a variety of forms,such as the strong and domineering playboy,through various dynasties,until the contemporary era,when the image tends to develop in a diversified and humanized direction.Nezha 2 is an in-depth reconstruction of traditional culture in the language of modern film and television,and it injects vitality into traditional culture through its heritage and innovation.Traditional culture needs to be rooted in history,embrace the present,and be iterated through innovative mediums and forms of expression in order to construct spiritual coordinates for the present generation and inspire them to strive for freedom,justice and dreams.
作者
贾玺增
张馨翌
JIA Xizeng;ZHANG Xinyi(Academy of Arts and Design,Tsinghua University,Beijing 100084,China)
出处
《东华大学学报(社会科学版)》
2025年第1期44-56,共13页
Journal of Donghua University:Social Science
基金
国家社会科学基金艺术学项目“秦代简牍《制衣篇》研究”(项目编号:2023AG02987)。
作者简介
贾玺增(1973-),男,天津人,教授,博士,研究方向为基于中国传统文化的服饰创新设计、服装品牌产品运营与企划管理、国际流行趋势与符号系统;通信作者:张馨翌(1992-),女,吉林长春人,讲师,博士,研究方向为传统服饰文化与设计实践研究,服装创新设计理论与实践。
