摘要
本文以宋代节庆服饰文化为研究对象,融合符号学与民俗学的视角,揭示宋代节庆服饰中“礼制—符号—美学”的三维互动,并提出“文化基因提取—沉浸场景重构—当下语义转译”的展陈设计路径。解构文物在宋代社会中的功能意象,运用数字叙事与沉浸式展览的手段,实现传统服饰文化展陈设计的现代化转变。该设计策略通过知识传递、身份认同和文化互渗的模式,形成可复制的博物馆展览方法论,促进文物价值的再生。
This paper investigates the festive attire culture of the Song Dynasty through an interdisciplinary lens of semiology and folklore studies,elucidating its tridimensional interaction mechanism of“ritual-symbolic-aesthetic”systems.A novel exhibition design framework is proposed,structured around three operational axes:“cultural gene extraction-immersive scenario reconstruction-contemporary semantic translation”.By deconstructing the functional imagery of historical artifacts within Song Dynasty social contexts,this study employs multimodal technologies and narrative communication strategies to achieve modern transcoding of traditional costume culture.The research demonstrates that such design strategies can establish reproducible methodologies for museum exhibitions through interactive modes of knowledge dissemination,identity recognition,and cultural osmosis,thereby facilitating the contemporary revitalization of cultural heritage values.
作者
钱婧
QIAN Jing(Art School of Huzhou University,Huzhou 313000,China)
出处
《鞋类工艺与设计》
2025年第16期15-17,共3页
SHOES TECHNOLOGY AND DESIGN
基金
湖州师范学院2024年校级研究生科研创新项目《宋代岁时节令服饰文化展陈设计研究》(项目编号:2024KYCX32)。
关键词
展陈设计
宋代节庆服饰
文化符号
沉浸式体验
文化遗产传承
exhibition design
song dynasty festive attire
cultural symbols
immersive experience
cultural heritage transmission
作者简介
钱婧(2001-),女,研究生在读,研究方向:设计策划与管理,GinnyQ14@163.com.
