摘要
在数字化与全球化的时代语境下,媒介形态呈现出多元化发展态势,媒介间的界限渐趋模糊,固守传统媒介形式已不符合当代文化发展的内在需求。媒介理论经历了从现代主义视域下“回到媒介自身”到后现代主义语境中“跨媒介”的范式转型。通过剖析文化、艺术与技术的交织互动机制,可揭示媒介形态与社会文化之间的深层关联,进而把握媒介美学的转向逻辑。当前媒介变革集中表现为媒介的去中心化特征与跨越性实践,“跨媒介”创作方式不仅是技术发展的必然结果,更是文化与艺术演进的内在趋势。对这一转变的认知,有助于深入探讨当下媒介形态对文化传播与艺术创作的深远影响。
In the context of digitalization and globalization,the forms of media have shown a trend of diversification,and the boundaries between media are gradually dissolving.Adhering to traditional media forms no longer meets the inherent demands of contemporary cultural development.Media theory has undergone a paradigm shift from modernist"returning to the media itself"to postmodernist"transmedia".By analyzing the interplay of culture,art,and technology,the deep connection between media forms and social culture can be revealed,and the logic of the shift in media aesthetics can be grasped.The current media transformation is mainly characterized by decentralization and transboundary practices.The"transmedia"creative paradigm is not only an inevitable result of technological development but also an organic trajectory of cultural-artistic evolution.Understanding it helps to explore the profound impact of current media forms on cultural dissemination and artistic creation.
作者
巴卓妍
杨燕
BA Zhuo-yan;YANG Yan(Harbin Normal University,Harbin,Heilongjiang 150025)
出处
《吉林艺术学院学报》
2025年第3期35-40,共6页
Journal of Jilin University of Arts
基金
国家社会科学基金重点项目“卡冈美学思想研究”(23AWW011)阶段性成果。
作者简介
巴卓妍,哈尔滨师范大学文学院2023级硕士研究生,主要研究方向为西方美学及文论;杨燕,哈尔滨师范大学文学院教授,主要研究方向为西方美学及文论。
