摘要
进入21世纪后,古典诗词已晋升为民众接受中华优秀传统文化的重要途径。除了诗词接受的“学者效应”外,“中国诗词大会”等节目的热播推动了社会层面对诗词本体审美和民族文化情感的认同,诗词同电子游戏的融合衍生出碎片化的接受形式,在影视中的植入也加深了观众对“诗画”和“诗声”的感知。新诗创作者以题记形式继承古典诗词的兴发传统,并在追寻古代诗人形象、扬弃古代诗赋体制、反思诗歌本体问题方面回应传统的影响。古典诗词对当代语言文化发生深远影响的同时,也在创作与表达实践中不断丰富了自身的内涵。
In the 21st century,classical poetry has become a vital conduit for the public's engagement with China's outstanding traditional culture.Beyond the"scholar influence"on its reception,the popularity of programs such as Chinese Poetry Conference has fostered societal recognition of poetry's aesthetic essence and ethnocultural sentiment.The integration of poetry with electronic games has spawned fragmented modes of reception,while its incorporation into film and television has deepened audiences'perception of"poetic painting"and"poetic voice".Modern poetry creators inherit the evocative tradition of classical poetry through epigraphs,responding to traditional influences by evoking images of ancient poets,subsuming and transforming classical poetic structures,and reflecting on ontological questions of poetry.As classical poetry profoundly impacts contemporary language and culture,it simultaneously enriches its own conceptual depth through creative and expressive practices.
作者
罗振亚
张文望
Luo Zhenya;Zhang Wenwang(School of Literature,Nankai University,Tianjin 300071,China)
基金
国家社会科学基金项目“中国古典诗歌传统的再发展与21世纪新诗的诗学建构研究”(20CZW051)的阶段性成果。
关键词
21世纪
古典诗词
接受
新诗
大众传播
21st century
classical poetry
reception
modern poetry
mass communication
作者简介
罗振亚,男,黑龙江讷河人,文学博士,南开大学文学院教授,博士生导师,主要从事中国现当代文学与新诗研究;张文望,男,黑龙江望奎人,南开大学文学院硕士研究生,主要从事中国现当代文学研究。
