摘要
苏轼与倪瓒皆为文人画学之典范,倪瓒承袭苏轼“画以适吾意”理念,强调文人画抒情性与主观意绪表达。对倪瓒跋文十六种文本和著录文献的系统梳理及书迹比勘,证实倪瓒跋《天际乌云帖》文真书伪。其署款年月,乃是仿照倪瓒书迹移写而成。《天际乌云帖》确有两个摹本,一为已佚之完整摹本,一为翁方纲藏有脱失摹本。翁本摹写自《吴江史氏刻〈天际乌云帖〉》,史氏刻本则摹刻自完整摹本。完整摹本在入清后散佚。
Su Shi and Ni Zan are both paradigms in field of literati paintings.Ni Zan inherited Su Shi’s idea of“painting to suit my own intentions”,emphasizing the lyricism and subjective expression of literati paintings.Through a systematical examination of the sixteen extant texts and documented records of Ni Zan's colophons,along with a comparative analysis of the images,it is confirmed that Ni Zan’s inscription on Tianji Wuyun Tie is authentic in content but forged in calligraphy.In the colophons of the Tianji Wuyun Tie,the inscribed date attributed by Ni Zan was actually an imitation of Ni Zan’s calligraphic style.The Tianji Wuyun Tie indeed is known to have two traced copies:one was complete version that is now lost,and the other is an incomplete version preserved by Weng Fanggang.The Weng version was copied from the Wu Jiang Shi's Engraved Edition of the Tianji Wuyun Tie.Shi's engraved edition itself was a copy from a complete tracing copy.This complete tracing copy was lost during the early Qing Dynasty.
作者
豆新德
杨理论
Dou Xinde;Yang Lilun
出处
《南京艺术学院学报(美术与设计)》
北大核心
2025年第4期19-27,I0011,共10页
Journal of Nanjing University of The Arts:Fine Arts & Design
基金
国家社科基金后期资助项目《苏轼书法研究》(21FZSB057)阶段性研究成果
海南省哲学社会科学规划重大专项(东坡文化研究)课题《苏轼碑刻书法研究》[HNSK(ZDZX)25-14]阶段性研究成果。
关键词
《天际乌云帖》
倪瓒跋文
两个摹本
真伪
署款年月
Tianji Wuyun Tie
Ni Zan’s colophon
two traced copies
authenticity
inscribed date
作者简介
豆新德(1992-),男,河南焦作人,西南大学文学院博士研究生,研究方向:唐宋文学、书法史论;通讯作者:杨理论(1975-),男,四川越西人,西南大学文学院教授、博士生导师,研究方向:唐宋文学、书画理论。
