摘要
文学经典是一个不断地建构过程,经典的意义和价值在同各代读者的对话中不断生成。在清代杜诗经典化的过程中,杜诗具有的有些内容被淡化,有些内容被揭示、凸现出来。袁枚从性灵说出发对杜诗经典进行了解构:在价值层面颠覆了杜诗的独尊地位,在师法层面解构了杜诗的绝对典范性。解构的同时又进行了重构:在内容层面揭示杜诗的长于言情,在艺术层面凸现杜诗的独创性。袁枚对杜诗经典的解构与重构,代表了清代乾隆时期性灵派对杜诗的接受,凸显了清代杜诗经典化的新内涵——杜诗情感的丰富性和杜诗艺术的独创性,彰显了杜诗文本说不尽的内在对话性和审美潜能的无限丰富性。
The canonization of literary classics is a continuous process,in which the meaning and value of classics are constantly generated through dialogues with readers across generations.During the canonization of Du Fu's poetry in the Qing Dynasty,certain aspects of his works were downplayed,while others were highlighted.Yuan Mei deconstructed the classic status of Du Fu's poetry based on Xingling theory.Yuan overturned the supremacy of Du Fu's poetry at the value level and deconstructed its absolute exemplariness in terms of teaching approach.Additionally,Yuan also engaged in reconstruction by revealing Du Fu's strength in expressing emotions in terms of content and emphasizing his originality in artistic expression.Yuan's deconstruction and reconstruction of Du Fu's poetic classics represent the acceptance of Du Fu's poetry by the School of Xingling during the Qianlong period of the Qing Dynasty.This highlights the new connotations of the canonization of Du Fu's poetry in the Qing Dynasty,namely,the richness of his emotional expressions and the originality of his artistic style,and demonstrates the inexhaustible internal dialogue and the infinitely rich aesthetic potential of Du Fu's poetic texts.
作者
张东艳
ZHANG Dongyan(School of Elementary Education,Zhengzhou Normal University,Zhengzhou Henan 450044,China)
出处
《乐山师范学院学报》
2025年第1期49-57,共9页
Journal of Leshan Normal University
基金
河南省哲学社会科学规划项目“尊杜非杜与清代杜诗经典化研究”(2021BWX037)。
关键词
袁枚
杜诗经典
解构
重构
Yuan Mei
the classics of Du Fu's Poetry
deconstruction,reconstruction
作者简介
张东艳(1978-),女,河南巩义人,郑州师范学院初等教育学院副教授,博士,研究方向:清代杜诗学。
