摘要
近年来,少数民族题材电视剧的叙事模式主要以史诗叙事和英雄叙事为主,面临着创作瓶颈凸显和市场需求低迷的双重困境。如何突破现有固化的少数民族题材剧的叙事模式,以及如何在网络媒体时代吸引到广大青年观众,这是当今少数民族题材剧迫切需要解决的问题。《我的阿勒泰》作为一部现象级的少数民族题材电视剧,其叙事模式的创新主要体现在符号化的叙事冲突、细节化的原生态叙事和青春化的情感叙事节奏。这种叙事创新为当代民族剧带来了重要启示,即通过沉浸式的民族风情呈现、微观的温暖现实主义和隐喻化的生活理念,进而调动起观众的想象、共情与参与。
In recent years,epic narrative and hero narrative mainly features the narrative mode of ethnic minority themed TV series which is in the dual dilemma of obvious creative bottlenecks and sluggish market demand.How to break through the existing rigid narrative mode of ethnic themed TV series and attract a large number of young audiences in the era of online media is an issue need to be urgently addressed.As a phenomenal ethnic minority themed TV drama,the innovative narrative mode of"To the Wonder"mainly characterized with Symbolized narrative conflicts,detailed primitive narratives,and youthful emotional narrative rhythms.This narrative innovation has brought important insights to contemporary ethnic dramas--through immersive presentation of ethnic customs,warm realism at micro level,and metaphorical life concepts,to mobilize the audience's imagination,empathy,and participation,and promote the audience's in-depth thinking on the understanding and identification with ethnic culture.
作者
张碧芸
Zhang Biyun(Sichuan Normal University,Chengdu 610066)
出处
《新疆艺术学院学报》
2024年第4期93-100,共8页
Journal of Xinjiang Arts University
基金
国家社科基金艺术学西部项目资助项目:“电影强国建设背景下网络文学影视改编的伦理建构研究”(项目编号:22EC196)的阶段性成果
四川师范大学2023年校级“课程思政”示范课程《大学英语》(普通类)(项目编号:20230051XSZ)的阶段性成果。
作者简介
张碧芸,女,四川师范大学博士研究生。研究方向:电影美学、叙事学。
