摘要
20世纪八十年代,在鲁迅影响下产生的印度本土文学书写显著增多,此类文本标志着鲁迅文学在长达半个世纪的印度接受史中,从阅读对象向美学资源的实质性转化,相较于翻译和评论,它们更能反映印度文学对中国文学的接受程度,也更能展现现当代中印文学交流的活力、深度和多样性。瑟格塞纳《乡村蛇舞》与鲁迅《社戏》的故乡书写存在多种互文联系:化用了《社戏》“怀念故土”和“批判现世”的二重主题设定与“寓乡于戏”的主题表现方法;在形式上创造性地借用了《社戏》中的关键意象,并仿效了鲁迅以具体地标象征故乡经验的叙事技巧;借预设手法塑造了鲁迅作为批判者和启蒙者的文学形象,从而构建起《乡村蛇舞》与鲁迅文学的整体关联,反映出瑟格塞纳与鲁迅的思想互动。
In the 1980s, the number of Indian writings produced under the influence of Lu Xun increased considerably. Such texts signify the substantial transformation of Lu Xun's literature in the half-century-long history of its reception in India, shifting from being subjects of reading to becoming aesthetic resources. In comparison to translations and critiques, these writings more effectively reflect the extent to which Indian literature embraces Chinese literature and showcases the vitality, depth, and diversity of modern and contemporary Sino-Indian literary exchanges. The homeland writing in Saxena's “Village Snake Dance” shares various intertextual connections with that in Lu Xun's “Village Opera.” It appropriates the dual thematic setting of “nostalgia for the homeland” and “critique of the present world” as well as the method of embedding the homeland in a dramatic performance. It also creatively borrows the key imageries of “Village Opera” and emulates Lu Xun's narrative technique of using specific landmarks to symbolize the homeland experience. In addition, it employs the device of presupposition to shape Lu Xun's literary image as a critic and enlightener, thereby establishing an overall connection between “Village Snake Dance” and Lu Xun's oeuvre, which reflects the ideological interaction between Saxena and Lu Xun.
作者
贾岩
Jia Yan(Department of South Asian Studies,School of Foreign Languages,Peking University,Beijing 100871,China)
出处
《外国文学研究》
CSSCI
北大核心
2024年第3期89-101,共13页
Foreign Literature Studies
基金
国家社会科学基金一般项目“中国印度文学学科史研究”(19BWW034)
国家社会科学基金青年项目“印度进步主义文学思潮中的‘中国动因’研究”(21CWW007)。
关键词
瑟格塞纳
《乡村蛇舞》
鲁迅
《社戏》
故乡书写
互文性
Sarveshwar Dayal Saxena
“Village Snake Dance"
Lu Xun
“"Village Opera"
Homeland Writing
Intertextuality
作者简介
贾岩,北京大学外国语学院南亚学系助理教授,主要从事印度文学、中印文学关系研究。
