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贾平凹的“秦岭志”和中国叙事--以《老生》《山本》《秦岭记》为中心

Jia Pingwa's“biography of Qinling”and Chinese narrative--Centering on Lao Sheng,Shan Ben,and Qinling Chronicles
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摘要 自2014年的《老生》至2018年的《山本》再到2022年的《秦岭记》,贾平凹的作品越来越具有“秦岭志”的特点。从舆地、物产、风俗、人物等方面为秦岭作传,贾平凹在“商州”和“西京城”两个“文学故乡”之外,成功建构了以秦岭为中心的新的文学地域。3部作品体现了贾平凹对中国古典文化形式和内容方面的借鉴与创新。作家通过描绘20世纪的秦岭地方史,实现了小说的“小化”并以此钩沉整个中国历史,但在写作过程中亦有疏漏。在方志性书写的过程中,贾平凹通过对“地理”“历史”“文学”的多重建构形成了“地方—国家”的隐形映射关系。作家以“秦岭”喻中国,通过对秦岭的创新性书写,完成了中国故事的新时代讲述。 From Lao Sheng in 2014 to Shan Ben in 2018 and then to Qinling Chronicles in 2022,Jia Pingwa's works increasingly exhibit the characteristics of“biography of the Qinling”.From the aspects of geography,products,customs,and characters,Jia Pingwa successfully constructed a new literary region centering around the Qinling Mountains,shaping the Qinling Chronicles.Apart from the two“literary hometowns”of“Shangzhou”and“Xijing City”,Jia Pingwa successfully created a new literary region centering around the Qinling Mountains.The three works reflect Jia Pingwa's reference and innovation in the form and content of Chinese classical culture.By writing about local literature and history,writers have achieved the miniaturization of novels and used it to reflect on the entire history of China,but there are also omissions in the writing process.In the process of writing local chronicles,Jia Pingwa formed an invisible mapping relationship of“local-state”through multiple constructions of“geography”,“history”,and“literature”.The author uses“the Qinling Mountains”as a metaphor for China,and through the innovative writing of the Qinling Mountains,they have completed the new era of telling Chinese stories.
作者 牛佳欣 NIU Jiaxin(School of Literature and Journalism,Baoji University of Arts and Sciences,Baoji 721100,China)
出处 《镇江高专学报》 2024年第2期29-34,共6页 Journal of Zhenjiang College
关键词 贾平凹 《老生》 《山本》 《秦岭记》 秦岭志 中国叙事 Jia Pingwa Lao Sheng Shan Ben Qinling Chronicles biography of the Qinling Chinese narrative
作者简介 牛佳欣(1997-),女,山西晋中人,硕士生,主要从事中国现当代文学研究。
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