摘要
文章旨在探讨古琴器物设计所蕴含的传统审美理念,并结合现状分析其在现代设计领域的价值。通过运用比较研究法和案例分析法,从琴器的历史演变和各结构设计本意两方面对其审美理念进行研究。分析出琴器经过漫长的发展变化后,于唐代定型且制造技艺趋于完美,宋代蓬勃发展,明清逐渐没落。而古琴的器物设计在形制上传达着人与自然、人与社会、人与自身的和谐圆满,式样造型中蕴含了儒道佛三家哲思,设色和装饰等方面也表现出中国传统朴素、中正的审美理念。琴器的审美理念在保留文化自觉的根基、给予意象美的启示、提供保留传统精神内核的现代设计创新思路等三个方面都具有一定的现代价值。
The purpose of this article is to explore the traditional aesthetic concepts embedded in the design of Guqin instruments and analyze their value in the field of modern design in light of the current situation.Through the use of comparative research and case study methods,the aesthetic concepts of Guqin are studied in terms of their historical evolution and the original intention of each structural design.It’s believed that it was finalized,after a long period of evolution,in the Tang Dynasty,and its manufacturing skills were progressively perfected.Following the peak of its development in the Song Dynasty,Guqin gradually declined in the Ming and Qing Dynasties.The shape and design of the instrument convey the idea of harmony and perfection between man and nature,man and society,and man and himself.Moreover,its style contains the philosophical thoughts of Confucianism,Taoism,and Buddhism.And its coloring and decoration also express the traditional Chinese aesthetic philosophies of simplicity and neutrality.The aesthetic concepts of this musical instrument have certain modern value in three aspects:retaining the foundation of cultural consciousness,giving inspiration to image beauty,and providing innovative and modern design ideas that preserve the traditional spiritual core.
出处
《家具与室内装饰》
北大核心
2023年第8期86-89,共4页
Furniture & Interior Design
基金
湖南省教育厅科学研究优秀青年项目(19B047)
湖南省哲学社会科学基金青年项目(18YBQ007)。
关键词
古琴
器物设计
审美理念
现代价值
Guqin
Instrument design
Aesthetic concepts
Modern value
作者简介
张娣(1985-),女,博士,讲师,研究方向:艺术美学,E-mail:18451495@qq.com。
