摘要
琴桌作为专门放置古琴的家具,是弹奏者演绎美妙乐音不可或缺之物。自古,琴桌为琴而生,因琴而美,古琴的意韵也因为琴桌而变得更加完整优美,谈及琴桌本身,不仅形制俊秀雅致,更是文化与艺术的载体。但是,与古琴的研究相比,琴桌的研究则非常少。以此为因,在文献、古画和实物中搜寻与挖掘在历史流变中古代琴桌文化的踪迹,通过历史文献研究法、图像分析法、实物比对法,以及综合调研法等,对古琴及琴桌的溯源、历史流变进行系统梳理,并总结出中国古代琴桌的形制变化和审美内涵。希望通过这样的探究与分析,能给中国古代琴桌文化的研究提供更有益的借鉴与参考。
The piano table,as a specialized piece of furniture for the guqin,is indispensable for performers to deliver beautiful melodies.Since ancient times,the piano table has been created for the guqin and has enhanced its elegance,enriching the artistic charm of guqin music.The piano table itself not only boasts an elegant and refined shape but also serves as a carrier of culture and art.However,compared to the extensive research on guqin,studies on piano tables are relatively scarce.To address this gap,this paper explores the cultural traces of ancient piano tables in historical evolution through textual analysis,ancient paintings,and physical artifacts.By employing historical document research,image analysis,physical comparison,and comprehensive investigation methods,this study systematically examines the origins and historical development of guqin and piano tables,summarizing their morphological evolution and aesthetic characteristics.It is hoped that this research will provide valuable insights for further studies on the cultural heritage of ancient Chinese piano tables and inspire contemporary design and cultural research.
作者
杨玮娣
王佳宁
杜娟
黎雪丽
Yang Weidi;Wang Jianing;Du Juan;Li Xueli
出处
《家具与室内装饰》
北大核心
2024年第10期14-19,共6页
Furniture & Interior Design
基金
北京文创融入课程实践专业团队建设项目(035000514123502-23)。
关键词
历史流变
形制特征
审美意识
古代琴桌
Historical evolution
Morphological features
Aesthetic perception
Ancient piano tables
作者简介
杨玮娣(1974-),女,博士,副教授,研究方向为家具设计,E-mail:865696707@qq.com。
