摘要
吴嘉谟作为晚明科举士子中的一员,纂刻《孔圣家语图》不仅具有个人特殊性,而且具有一定的时代普适性,充分反映了晚明的社会文化风气。《家语图》初刻于万历十七年,后经吴氏增改,通行本方才付梓。在尊孔重儒、明黜异学的时代背景下,吴氏出于自觉的卫道精神及其欲借刻书以图仕进的私人因素,纂刻《家语图》便在情理之中,这对认识明代大量刊刻儒书的现象不无启发。《家语图》并非吴氏所标榜的“图按圣迹之遗,文仍王本之旧”,实乃吴氏拼凑而成,由此可窥探晚明刻书伪窃之风。是书刊成后,多有衍生本出现,并一直流行至今。一方面与世人轻信吴氏之言有关,更为重要的是此书具有一定的文献、艺术与商业价值。
As a member of the imperial examination scholars in the late Ming Dynasty,Wu Jiamo’s compilation and engraving of Kong Sheng Jia Yu Tu not only has its own particularity,but also has a certain universality of the times,which fully reflects the social and cultural atmosphere of the late Ming Dynasty.This book was first engraved in the 17th year of Wanli,and was later added and modified by Wu.Under the background of respecting Confucius and valuing Confucianism and dethroning different schools of thought in the Ming Dynasty,it is reasonable for Wu to compile and engrave this book out of his self-conscious spirit of defending Taoism and his personal factors of seeking official advancement by carving books,which enlightens us to understand the phenomenon of a large number of Confucian books published in the Ming Dynasty.However,this book is not what Wu claimed to be,it is a combination of Wu,which can reveal the trend of counterfeiting and stealing of the engraved books in the late Ming Dynasty.After this book was published,many derivative books appeared and have been popular up to now.It is related to the world’s credulity in Wu’s words,more importantly,this book has certain literature value,artistic value and commercial value.
作者
张懋学
万安伦
Zhang Maoxue;Wan Anlun(School of Journalism and communication,Beijing Normal University,Beijing,100091)
出处
《出版科学》
CSSCI
北大核心
2023年第2期121-128,共8页
Publishing Journal
基金
国家社会科学基金重大项目“中国出版学学术史文献整理、研究与资料库建设”(21&ZD321)阶段性成果
中国博士后科学基金资助项目“六朝前孔子遗说的编纂与儒家文化的传播研究”(2022M720489)阶段性成果。
关键词
《孔圣家语图》
纂刻
晚明
社会文化
Kong Sheng Jia Yu Tu
Compilation and Engraving
Late Ming Dynasty
Social and Cultural Atmosphere
作者简介
张懋学,北京师范大学新闻传播学院助理研究员;万安伦,北京师范大学新闻传播学院教授、博士生导师。
