摘要
主体改造、精神转向是伴随丁玲创作始终的两个关键词,折射出她随地域空间的变化不断调整写作方式的倾向。在延安这一新的空间中,丁玲并不能在短时间内转变以往的写作方式、审美习性和主体想象,她不断地调整视角,仍会受惯性书写经验支配想象乡村、构形延安,由此形成了一种混杂式的书写模式,“五四”国民性批判、浪漫理想化的革命想象不同程度地干预、掺杂进她的延安叙事,造成种种叙事困境和情感冲突。可以说,一直到延安文艺座谈会、整风运动之前,丁玲都没能绕过“经验”的范式,直到写作《太阳照在桑干河上》时期,丁玲才找到书写延安的在场理想状态。从整体上追溯丁玲的延安书写,可以更加确切地理解丁玲在延安这一新的空间下精神转向和话语重构的复杂性。
Subject transformation and spiritual transformation are the two key words that accompany Ding Ling’s creation, reflecting her tendency to constantly adjust her writing style with the changes of regional space. In the new space of Yan’an, Ding Ling cannot change her previous writing style, aesthetic habits and subject imagination in a short time. She constantly adjusts her perspective, and will still be dominated by the inertial writing experience to imagine the countryside and form Yan’an, thus forming a hybrid writing mode.The national character criticism of the May 4th Movement and the romantic idealized revolutionary imagination interfere with and blend into her Yan’an narrative to varying degrees, causing various narrative difficulties and emotional conflicts. It can be said that Ding Ling failed to bypass the paradigm of “experience” until the Yan’an Literature and Art Symposium and the rectification movement. It was not until the writing of The Sun Shines on the Sanggan River that Ding Ling found the ideal state of being present to write about Yan’an.Tracing back Ding Ling’s Yan’an writing as a whole can more accurately understand the complexity of Ding Ling’s spiritual turn and discourse reconstruction in the new space of Yan’an.
作者
魏巍
李静
WEI Wei;LI Jing(China New Poetry Research Institute,Southwest University,Chongqing 400700,China)
出处
《宜宾学院学报》
2023年第3期56-64,共9页
Journal of Yibin University
关键词
丁玲
延安书写
空间想象
话语重构
Ding Ling
Yan’an writing
spatial imagination
discourse reconstruction
作者简介
魏巍(1982-),男(土家族),重庆人,副教授,博士,主要从事中国现当代文学研究;李静(1995-),女,安徽滁州人,硕士研究生,主要从事中国现当代文学研究。
