摘要
文艺美学是改革开放后学术上的独创语汇。文艺美学,建在有中国现代性之初中国与世界互动而产生的新创语汇“文艺”和“美学”之上。文艺是中国以文为核心的艺术体系与西方以艺为核心的艺术体系互动的结果,美学是中国的美体现在天地的普遍之中和西方的美体现在典型的艺术之中互动的结果,文艺一词也有作为艺术整体的文与艺和文之艺的文艺学两种走向。文艺美学体现为两种方向,学科体系上的文之艺的美学和体制结构上的文与艺的美学。文学美学的进一步演进,一是在文学定义上,区别于改革开放前的文学是上层建筑和意识形态,从美学上对文学定义,从文学是审美反映,到文学本质在审美特质,到美学是审美意识形态。二是文艺学的两个走向,文学研究与文化研究。文学研究即以审美意识形态为主,文化研究也与美的普遍性相关。文艺美学,与之前的文艺和美学、与之后的审美意识形态一样,都有表层逻辑不通和深层学理甚通的特点,这也是中国语言传统“散文(浑言)不别,对文(析言)须别”的虚实关联结构与西方语言的“定义清晰,逻辑一贯”的实体-区分结构之互动的结果。“文艺美学”一词内蕴、关联着丰富的历史和现实内容。
The Aesthetics of Literature-Art is an original Chinese academic term coined after China’s economic reform and opening-up to the outside world. It is built on the two newly created vocabularies “literature and art” and “aesthetics” emerged during China’s interactions with the world at the beginning of its modernity. Literature and art is the result of the interaction between literature-centered Chinese art system and Western art system which takes art as its core. Aesthetics is the result of the interaction between Chinese beauty embodied in the universality of the world and Western beauty embodied in typical art. This term has two trends: literature and art as the integrity of art and literary aesthetics as the art of literature. The Aesthetics of Literature-Art is embodied in two directions: the aesthetics of literature as a discipline and literature and art as the institutional structure. The further evolution of literary aesthetics would be firstly in the definition of literature. Different from the definition that literature is the superstructure and ideology before China’s reform and opening-up, literary aesthetics defines literature from the perspective of aesthetics and its definition of literature developed from literature as a reflection of aesthetics to the essence of literature as a unique characteristic of literature as well as to aesthetics as a sort of aesthetic ideology. The second is the two directions of literature and art studies: literary studies and cultural studies. Literary studies mainly focus on aesthetic ideology, and cultural studies are related to the universality of beauty. The Aesthetics of Literature-Art, like the previous literary art and aesthetics, and the later aesthetic ideology, has the characteristics of incomprehensible superficial logic and outstanding in-depth theoretical rationale. These characteristics are the result of the interaction between the virtual-real relational structure of “using samples to elaborate on the shared meaning of a category of synonyms and using comparisons to interpret the difference in the meanings of synonyms” in the Chinese language tradition and the Western languages’ entity-distinguishing structure of being “clearly defined and logically consistent”. The term “aesthetics of literature-art” contains and associates with rich historical and realistic content.
出处
《中国文艺评论》
CSSCI
2023年第2期15-27,I0002,共14页
China Literature and Art Criticism
关键词
文艺美学
中国与世界互动
不通与甚通的统一
The Aesthetics of Literature-Art
the interaction between China and the world
the unity of being illogical and logical
