摘要
在文艺复兴到19世纪形成的西方的美的艺术中,艺术分类是其基础,20世纪以来,随着科学和哲学的文化升级、科技演进—消费社会—大众文化的出现、电型艺术和文化工业的一体共生和演进,以及全球多元文化的一体并置,艺术分类理论也与20世纪的思想升级相应进行了升级和转型,体现为四大代表:一是苏珊·朗格的艺术分类体系,为成功升级版;二是托马斯·门罗的艺术分类体系,因直面设计艺术,在艺术分类理论的升级上进展艰难;三是杜夫海纳的理论,是艺术分类的现象学转向,艺术分类在艺术体系中的位置已经转型为主客互动;四是诺尔·卡罗尔的理论,是艺术分类的分析哲学转向,艺术门类已不重要,而艺术的根本性关联(再现与世界的关联和表现与主体的关联)是重要的。前二者为升级,后二者为转向,四种流向体现了西方文化在艺术分类上的基本走向。
In the fine art formed from Renaissance to 19^(th)century the classification of art was a basic.However since 20^(th)century with the upgrade in the science and philosophy,with the emerge of new technology,consumption society and mass culture,with electric art evolving together with cultural industry and with multi-cultures interaction in globalization,the classification of art has been upgrade and turning direction which embodied four lines:firstly the theory of Susanne K.Langer that is of successful kind of upgrade,secondly the theory of Thomas Munro that is of unsuccessful kind of upgrade,thirdly the theory of Mikel Dufrenne that getting the turns toward to the direction of phenomenology and finally theory of Noël Carroll that turns toward to the direction of analytic philosophy.In the alter two theories the classification of art is not important part of art theory and the correlation of art become more important,one of them is repression of art with the outside world and the other is expression of art with subjection.In above four theories former two are on the line of upgrade and latter two are on the line of turning direction.
出处
《学术研究》
CSSCI
北大核心
2023年第1期161-167,178,共8页
Academic Research
作者简介
张法,四川大学文学与新闻学院教授、北京大学美学与美育中心兼职研究员(四川成都,610065)。
